genevieve despres

Reviews

ICAV, GALA CONCERT

Geneviève Després nous a donné un Mahler évoquant l'unique Ferrier et la Forrester des grands jours, un Mahler qui partait du texte, parfaitement compris et senti, et livré dans une belle variété de couleurs et de dynamiques et une vibrante accentuation des mots importants. Son pianiste, Burkhard Kehring, a une grande part dans l'immense impression laissée par cette prestation.

La Presse 27 août 2007
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Nozze di Figaro.

"…an equally successful return engagement as Marcellina in Le Nozze di Figaro…Despres brings to the stage a strong, rounded mezzo with appealingly substantial proportions. It's a solid, technically and artistically sound voice that enhances a production. She also exhibits a strong sense of theatre and the stage business that goes along with it. In Le Nozze, her characterization was delightful."

Opera Canada 2006
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Nozze di Figaro.

"…Genevieve Despres was an unusually multifaceted Marcellina."

Washington Post 2006.
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La Traviata.

"…wonderfully etched performance of Flora in Virginia Opera's 31st season-opening production of La Traviata…"

Opera Canada 2006.
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Il Tabarro

"…a sonorous voice Genevieve Despres (Frugola) presented superb acting."

The Jerusalem Post 2005.
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Carmen

…The star of the show was of course Carmen herself, sung by Genevieve Couillard Després. She is a singer who is totally comfortable with herself and with the role. She was earthy, sensuous, feisty – she looked the part and acted the part – Genevieve was Carmen. She has the perfect voice for the part, strong high notes and more importantly, a rich and powerful low register.

Michael Goodwin, Prescott,ON 2003.
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Dialogues des Carmélites.

…Mezzo Geneviève Couillard Després was a powerhouse as the old prioress. Long draperies twisted around her body did symbolic service during her death scene.

The Gazette, Montreal, February 26, 2003.
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Das Lied von der Erde.

…Des quatre voix de solistes, une seule nous fit croire à ce qu‘elle racontait: Geneviève Couillard Després. Un phrasé chaleureux, une vraie présence.

La Presse, Montréal, 20 janvier 2003.
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